Beauty and the Beast (1991): One of my all-time favourite movies.

The only animated movie to receive a Best Picture Oscar nomination, and it deserved it.

Magic from the opening prologue to the final credit, "Beauty and the Beast" is the last real classic to come from the Disney crew before John Lasseter came along. This was one of the few movies I happily paid to see twice in the cinema, and sitting in a sparsely-populated Friday night audience (I was living in Barbados at the time, and it was hardly the most artistic place on Earth... it was a crying shame that there was hardly anyone there while "Home Alone 2" went through the roof) the second time, the magic remained.More films 365 movies online

You all know the story, so apart from pointing out the movie's one flaw (the prince's spell had to be broken before he turned 21 or he would remain a beast forever; so if it was cast ten years before the events of the movie, wouldn't that mean he was 11 when the spell was cast...?), let's look at how well the movie works. You have a monster who's more human than the movie's medallion-man villain; you have a heroine who's PC but engaging with it; you have a supporting cast of magic utensils who wisely never upstage the couple at the centre of this love story (and despite the Disney animated trappings, it IS a love story); and you have a captivating story, beautifully told.

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The movie's also got wonderful design of its French setting and characters, with the ballroom scene a standout (the tiny but appreciative audience were impressed by the sight of the Beast and Belle in their evening wear - the only time I've ever seen cartoon characters get wolf-whistled in a cinema); and Alan Menken's score is his finest work for the Mouse, with matchless lyrics from the late and much lamented Howard Ashman - how many musicals can you name where ALL the songs are brilliant? But ultimately it's the movie's very real heart that makes it a keeper; the cliche "You'll laugh, you'll cry" is all too true in this case. A lot of movies called 'classic' don't deserve that appellation, but this one does.

I'll be slaughtered by anime fans, but what the hell... one "Beauty and the Beast" is worth a thousand "Akira"s. And "Shrek"s. And, I'm willing to bet, "Treasure Planet"s. This is a truly adult animated feature that's also one for the entire family. Forget "The Silence of the Lambs" - this is the real best picture of 1991.

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The lion king review

Launched christmas day in 2002 to imax and massive layout monitors, the lion king makes a positive go back to the screen after 8 years. Its each bit as majestic and high-quality as it has been earlier than.


The lion king mufasa (james earl jones) just had a infant cub named simba. All of the animals come to the rite, besides for mufasa's brother scar (jeremy irons). Scar desperately desires to be king, however can't. As long as mufasa and simba are there. Soon simba is in a position to walk and communicate and is voiced through jonathon taylor thomas. After listening to approximately an elephant graveyard from scar, he and his friend nala (niketa calame) go to it. They meet 3 bumbling hyenas: banzai (cheech marin), shenzi (whoopi goldberg), and ed (jim cummings), however they manipulate to go away unharmed. Scar is dissatisfied that the hyenas failed to do the job, so he orders a stampede to wipe out each of them, however it handiest looks after mufasa. Scar convinces simba that he killed mufasa, not scar. So simba flees into exile.


The lion king definitely benefits from the bigger display. Its lavish landscapes might be able to capture you more, and you could without a doubt enjoy the animation. Disney didn't want any humans, so they could spend all the time on a first-rate story and luxurious landscapes. In fact, its digicam motion was so majestic which you definitely felt such as you had been a part of the delight of lions. More music movies at movie online 365

The tune boomed and clearly created the atmosphere. Although i had seen this image before, i nevertheless turned into disturbing due to the way the tune performed out. Maximum of the time, i'd just roll my eyes at the try and make me worried. But hans zimmer's tune truely bowled me over and made my heart do calisthenics. Not like such new disney photos like lilo and stitch, the songs definitely did some desirable. They took you out of a incredibly dreary temper and put a grin in your face and made your feet want to tap alongside. There had been only a few, but they have been very unique. And the circle of existence song at the start become stunning, with its ideal photos and best sound.

I really like james earl jones (he is quite various), and this time changed into no exception. He regarded to behave like he didn't need to try this function, but he could not contain his exhilaration for wanting to do voice-overs once more (he had achieved some paintings within the simpsons earlier than). Matthew broderick redeemed himself for me (after the atrocious ferris bueller's day off) through displaying a sturdy voicing as the person simba. Cheech marin, whoopi goldberg, and jim cummings genuinely had proper chemistry collectively, even though they did not have much display time. Irons was clearly top and creepy as scar (one in all those who you can't help but hate), and if that is him sincerely singing, brava!

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Be warned, the lion king is not truely for children. It had extreme thematic elements that should have warranted a pg, in place of the ones that do not deserve it (lilo and sew, again). The temper that the tune and the script delivered out may want to damper your day, so be warned.

That is one film wherein you may sense for the characters. You don't say `haha, he's lifeless', you are saying `gasp! I am so unhappy!' if it were not for the proficient scriptwriters, this movie could be kaput and a not anything, no longer the first-class disney movie ever made.

The lion king is an impressive film, not with out humor, that is for nearly all to see.

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Top 5 music films of the 21st century

"Moulin Rouge", "Mamma Mia" or most recently "La La Land" ... are music films that are popular with audiences.
The 5 most prominent movie events in the world 2016/10 amateur silver screen in 2016. More films: 365 free movies

1. Moulin Rouge (2001)

For the popular musical genre to be back in action in recent years, Hollywood filmmakers are probably grateful to director Baz Luhrmann. The film seemed to have died out after the heyday of the 1960s, suddenly reviving the romance story of the Moulin Rouge. Familiar with the audience of Vietnam under the title Red Windsmoke, the film was nominated eight Oscars is a colorful love song with many levels of love feelings.

As a young writer from London to Paris in 1899, Christian (Ewan McGregor) fell in love with Santine dancer (Nicole Kidman) working at the Moulin Rouge. Erotic love story is led with songs enough style. The great visualization, costumes ... also make viewers as fascinated, contributing to the opening of a new trend for the 21st century drama series.

Moulin Rouge won two Oscars and was the first musical film since Beauty and the Beast (1991) to be nominated for an Academy Award for Best Picture.

2. Chicago (2002)

Born after the Moulin Rouge one year but more successful in terms of awards is the Chicago work. There are stars such as Richard Gere, Catherine Zelta-Jones and Renee Zellweger, who gross more than $ 300 million in revenue and garner six Oscars, including "Best Picture."


Chicago is set in the 1920s - the golden age of jazz with the central character of two beautiful female prisoners. Velma (Zelta-Jones) and Roxie (Zellweger) meet in jail awaiting trial of murder. Throughout the story, audiences learn more about high-profile scandals and corruption in Chicago's underpowered city.

Chicago made history when it became the first Oscar-winning film "Best Movie" since Oliver! in 1968.

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3. Mile (2002)

8 Mile is a rare film about the world of rap and has a hit rapper - Eminem. The film is about trying to confirm the name of Jimmy Smith (Eminem). With the title "B-Rabbit", he sought to capture the mark in the world dominated by black musicians.

8 Mile has exceeded expectations with $ 242 million in revenue and received the Academy Award for Best Original Song for Lose Yourself. The film's soundtrack features names such as Eminem, Jay-Z, Nas, or 50 Cent that many fans appreciate, because so far rare rap music is so invested. Time newspapers, such as Time, Rolling Stone, gave 8 Mile a list of the best films of 2002, while Vibe magazine called it "a masterpiece of rap music."

4. Once (2007)


Once is a very interesting phenomenon in 2007. The Irish film has a budget of just $ 115,000 and no star names are involved, but it's $ 23 million in revenue and Oscar nominations as well. Grammy. At the 2008 Academy Awards, Falling Slowly was honored with the "Best Song" award. Entertainment Weekly then took the No. 3 spot on the list of "25 Best Romantic Movies in 25 Years."

The film is about a street artist (Glen Hansard) and a newly separated woman (Marketa Irglova) in Dublin. The two strangers became closer due to the similarity in their musical preferences and decided to try recording together ... The duo's main characters are not named, giving the audience implicitly that a story like That can happen anywhere and music is the perfect connection for the soul.

5. Mamma Mia! (2008)


With huge sales of $ 609 million and stars including Meryl Streep, Pierce Brosnan, Colin Firth or Amanda Seyfried, Mamma Mia! Worthy of being considered a "blockbuster" music. It's based on the hit Broadway musical and uses popular songs like ABBA's I Have A Dream, Dancing Queen, Our Last Summer .... The story of a girl preparing to float but still do not know who his father should decide to send invitations to the three men who had dated her mother in the past.

Journey to find the father of the main character is led by the classic songs of ABBA through the new expression of the singer. Mamma Mia! Captivating viewers with gentle storylines, beautiful images are filmed in the Greek resort paradise and graceful performances of the stars. The soundtrack album then sold 5 million copies worldwide.

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"The Sound Of Music" Happy melody

The Sound of Music is a 1965 film directed by Robert Wise and starring Julie Andrews, Christopher Plummer.

The film is based on the Broadway musical of the same name and the songs in the film are written by Richard Rodgers, Oscar Hammerstein II and based on the musical books of Howard Lindsay and Russell Crouse. Songs were also performed by the main cast members. The "Happy Hour" was filmed in Salzburg, Austria, Bavaria and at the 20th Century Fox studio in California. The film won the Oscar for Best Picture in 1965 (38th Oscar Best Picture). At the same time, the film soundtrack was nominated for a Grammy for Album of the Year. The Library of Congress also selected The Sound of Music for preservation at the National Film Archive in 2001. Click detail http://365musicmovies.com/

With so many achievements, the film is worthy of a classic musical film of generations and class enthusiasts to see the review again.

The film tells the story of a young woman named Maria. She is a member of the Salzburg monastery (Austria). Maria loves nature, loves freedom and seems to her active nature, she belongs to the outside world of the monastery. From the first scene of her, the viewer was able to feel and visualize Maria as a very upbeat, optimistic and energetic girl. She loves to dance, sing and have an imagination as well as a very young soul. So Abbes' superior mother made it possible for Maria to be discovered to the end of her life. She introduced Maria as a tutor to the family of Captain Von Trapp - a Royal Austrian Navy officer. Von Trapp was widowed for many years, raising only seven of his young children in strict military style. Maria is the cool breeze, came and aroused love with the laughter in the large but cold villa.

The seven lovely children are: Liesl 16 years old; Friedrich is 14 years old; Louisa 13 years old; Kurt 11 years old; Brigitta 10 years old; Marta is 7 years old and Gretl is 5 years old. The children behaved well in front of their father, but without him, they became irresistible annoyances. Yet Maria did not feel that it was too difficult to get acquainted with and make friends with them. She understands Liesl's new love feelings, shares her fear of the thunderous thunder with the kids, plays pillow throwing with them, and sings and reveals her favorite things. to be able to motivate the children. Maria is natural, open and as a necessity, she has infused energy optimistic love life of herself to every corner of the mansion, touching the fragile heart like dew drops of seven young. Every day she teaches them to sing, teach them mischievous things, and then dance ... Children are to have fun, to be loved and to enjoy an innocent childhood. She sews clothes for the children and is very willing to go out with them. Everybody loves you, including Capt. Von Trapp's hard-boiled widow's heart, too, to melt for her.

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At the Von Trapp party to introduce his soon-to-be-married son, Schraeder was jealous of her feelings for Von Trapp and Maria. Schraeder asked Maria to leave the Von Trapp family. Confused by his new emotions, Maria decides to leave the party and return to the monastery. After a conversation with her superior mother about her love affair with Von Trapp, Maria decides to return to his family. Sir Schraeder later realized the affection between Maria and her fiancé; She accepted the wedding and returned to Wien. Maria and the captain then quickly marry.

The plot of the movie has not ended here, but you need to press the play button and yourself to experience the next. I guarantee this is a work worth watching from start to finish. The end of the film must have been a happy ending when Maria, Von Trapp's love and children were all blessed and helped, especially from the fun at the monastery.

The Sound of Music not only transmits the humanitarian values ​​of the filmmakers (through the film) and the love of women and men, where you can also immerse yourself in the joyous tunes. These are the happy happy melodies, so anyone who is sad or negative to any where can be swaying. The film is a source of renewed energy incense.

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“The Doors” (1991) shows how much myth matters in rock music

F. Scott fitzgerald wrote that the trouble with american lives is that they have no 2nd act. The trouble with jim morrison’s lifestyles changed into that it had no first and 1/3. His early life became lost in a mist of denial - he by no means quite forgave his father for being an admiral - and his adulthood changed into interrupted via an early dying, resulting from his relentless marketing campaign towards his personal thoughts and body. What he left at the back of changed into an extended early life, during which he recorded a few brilliant rock ‘n’ roll.

If we can agree with oliver stone’s new biographical film, “the doors,” lifestyles for jim morrison was like being trapped for months at a time inside the birthday party from hell. He wanders out of the solar’s glare, a curly haired southern california seaside boy with a lovely pout and a pocket book full of poetry. He alternatives up a beer, he smokes a joint, after which existence goes on speedy-ahead as he gobbles up pills and booze with each arms, while betraying his pals and making existence miserable for anybody who loves him. With the aid of the age of 27 he's useless. Watching the movie is like being stuck in a bar with an obnoxious under the influence of alcohol, while you’re not drinking.

The songs he left in the back of, it is authentic, are extremely good. A lot of them are on the soundtrack of “the doorways,” which combines morrison’s original vocals and new vocals by means of val kilmer so seamlessly that there is never, now not even for a second, the sensation that kilmer isn't making a song the entirety we hear. That phantasm is bolstered by using kilmer’s look. He looks so uncannily like jim morrison that we experience this isn't always a case of casting, however of possession.

The performance is the pleasant aspect in the film - and given that nearly every scene centers on morrison, that is not small reward. Val kilmer has continually had a high-quality skills, which until now has been in large part omitted, however in case you need to see why stone idea he will be convincing as a rock superstar, have a look at “top mystery!,” the “airplane!”-style spoof of spy films in which kilmer performs elvis presley. Due to kilmer, and because of exquisite area work with countless convincing extras, the concert scenes in “the doorways” play with the authenticity of a documentary.

If the songs are undying and the concert footage is convincing, however, the scenes from lifestyles are more painful than in any other behind the scenes movie i will don't forget. The everyday showbiz biopic describes a kind of parabola, in which the gifted child wins early reputation, starts offevolved to self-destruct, hits bottom, after which makes his massive comeback and goes on, of path, to have a film made approximately him. Jim morrison will become a celeb very quickly, after which self-destructs as quickly and correctly as he can. It is not a pretty photograph. He must had been one of these people with a constitutional incapability to handle drugs or booze in any quantity. For him there's no moderation; he isn’t looking for to get excessive, he’s looking for oblivion.

He knows it. His poetry and lyrics - and a number of the talk inside the movie - glorify death. He’s infatuated with it, mesmerized by means of death as the closing ride, and because the closing loyalty test: in case you love him, you'll die with and/or for him. He’s like edgar allen poe on acid, crawling alongside the ledges out of doors inn home windows, or begging his lovers to stab him within the coronary heart. This form of narcissism has its source, of direction, in self-loathing, and the early scenes of jim preening and posturing earlier than the digital camera like a male pinup finally segue into scenes in which he hides in the back of a beard and darkish glasses, hibernating in resort rooms on long, lonely binges.

Oliver stone, who as a young guy once tried to pitch an early model of this screenplay to morrison himself, has a herbal sense for the l.  A. Beach and rock scene inside the years when the doorways had been first setting up themselves as “the band from venice.” morrison materializes on the beach like a young god from the ocean, falls in love with a hippie chick (meg ryan), and reads his poetry, that's sophomoric, however translates easily into haunting track lyrics, helped through the mournful high-quality of his voice. Whatever else you can say approximately morrison and the doorways, there is no denying their sound; their facts, especially “mild my fire” and “l.A. Woman,” have come to be a part of our shared focus.

Stone indicates the band running out a few early preparations and playing early gigs at rock clubs on the sunset strip, after which, simply as in lifestyles, jim morrison becomes a superstar at about the equal time he will become unreliable as a stage performer. He contains a bottle with him everywhere, gulping huge slugs of booze as though it were pop. He makes use of tablets. They do now not help his personality, and he turns into imply-spirited and autocratic to people who depend upon him, and obnoxious to the general public - besides, of route, for the ones moments whilst lightning moves and his underlying talent flashes out.

The band grows weary of him - of the neglected dates, the no-suggests, the overdue arrivals, and limitless recording sessions wherein a drunken or hungover morrison indulges himself in steeply-priced retakes.

Keyboardist ray manzarek (kyle maclachlan) who first informed him he had potential as a singer, drifts right into a sort of passive-competitive trance, sitting stone-confronted throughout morrison’s outbursts. Others threaten to stop. Being attentive to the very last version of one among his exceptional albums, morrison tells the musicians, “that’s not awful for a group of fellows who weren’t even speaking to every different the day the album turned into recorded.” prancing and preening onstage as a intercourse god, morrison is bedeviled by using impotence in actual lifestyles; the drugs have performed their work.

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“Hustle & Flow” (2005) Review

Every now and then you never really see an actor until the proper roles deliver him into cognizance. Terrence howard has made 22 films and a whole lot of television (maximum notably the collection "sparks"), but now in "crash" and "hustle & drift," he creates such absolutely-seen characters in such distinctive worlds that his variety and depth will become unmistakable.

In "crash," he changed into the a hit hollywood television director, humiliated whilst his wife is assaulted by means of a cop. In "hustle & go with the flow," he plays a memphis pimp and drug provider who yearns to make something of himself -- to become a rap artist. His quest for achievement is visible so truely and with such sympathy by way of creator-director craig brewer that the film transcends the crime genre and turns into powerful drama.

The film's first success is to immerse us inside the day by day world of djay, howard's man or woman. He is not a "pimp" and a "drug supplier" as those occupations had been simplified and dramatized in pop culture. He's a targeted younger man, sensible, who in every other global with different opportunities may have, who knows, long past to university and run for congress. He can improvise at duration on philosophical subjects, as he proves in an opening scene about -- nicely, about no much less than the character of guy.

He has a formative years buddy named skinny black (ludacris), who has emerge as a millionaire rap big name. How close of a early life friend is a great query; as almost as i will inform, they went to distinct faculties together. Skinny black returns to the old neighborhood each fourth of july for a sentimental reunion on the club in which he got his begin. The club proprietor (isaac hayes) is a friend of djay's. The theory is, djay will give his demo tape to thin black, who will pull strings and make djay a celebrity.

However it truly is within the 0.33 act of the film. The lengthy 2nd act, in a few approaches the coronary heart of the movie, entails djay's attempts to satisfy his diverse business duties at the same time as recording the demo. We get the ghetto model of renting the vintage barn and putting on a show. Djay selections up an ancient virtual keyboard, and enlists key (anthony anderson), a family man and churchgoer, to paintings with him on the track. Key is aware of shelby (dj qualls), a white child with musical competencies. They staple cardboard egg packing containers to the walls to soundproof a recording studio, enlist a hooker named shug (taraji p. Henson) to sing backup, and make the recording.

What djay can't be anticipated to recognize is that skinny black gets infinite demos pressed warmly into his palms every day. He does no longer have the strength within the song enterprise that djay imagines. Coming across a skilled newcomer is probably professional suicide. And past this is the whole world-view thin black has offered into: his vehicles, his bodyguards, his photo as a menacing rapper. Djay's first method to him is miscalculated and all incorrect. The manner he uses his instincts to attempt again is sensible, and courageous.

But "hustle & flow" is not limited to djay's rags-to-riches dream, because it isn't always a formulation film. Tons greater exciting are his day-to-day relationships. Nola (taryn manning), the white female who gets the advantage of his principle of human lifestyles, is his most profitable hooker, even though she tells djay how much she hates stepping into the motors of peculiar men. Shug, who djay step by step realizes he loves, is pregnant, possibly not with djay's child. Lexus (paula jai parker) has an income as a stripper, which makes her extra outspoken and impartial.

Djay plays the pimp role and is effective enough, but his heart isn't in it. The dream of the demo report fills his mind -- and also obsesses key and shelby, to the dismay of secret is spouse, who sees her churchgoing breadwinner spending his free time with a pimp ("what lady would not be thrilled to have her man in a house complete of whores?").

What happens is that djay's horizon expands as his imagination is challenged. It isn't always honestly the hope of stardom that keeps him going. It isn't the dubious reference to skinny black that evokes him. What we see in the "hustle & flow" is rarely seen inside the movies: the redemptive power of artwork. Djay is converted whilst he unearths something he loves doing and is getting higher at. To create something from your personal mind and expertise and notice that it is good: that could be a pleasure that makes the rest of his lifestyles seem shabby and obvious.

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Terrence howard modulates djay with tremendous love and consideration for the individual. He by no means cheapens him, or condescends. He builds him inside-out. He's a pimp and a provider because he is sensible and has ambition, and that is how, in his world, together with his historical past, he can find success. The film accumulates many diffused moments to reveal how his emotions for shug expand, how he starts offevolved by way of giving her the form of "love" pimps use as a control mechanism, and slowly realizes that some other form of love is growing.

Shug is performed by using taraji p. Henson as so wounded, so inclined, so dependable, that we are astonished at the complex feelings developed by using the story. Pay attention to her: "letting me sing on the demo made me sense real. I know, moving up, you gonna get actual exact human beings, so i need you to recognize, it meant the arena to me." what has converted him has opened room for her transformation.

"hustle & waft" shows, among different things, what a shallow music-video technique many movies take to the internal metropolis, after which what complexities and presents bloom there. Each desirable actor has a season whilst he comes into his very own, and that is terrence howard's time.

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Inside Llewyn Davis 2013 Review

We can't believe llewyn davis satisfied. The self-defeating sisyphus of the brand new film written, directed, and edited via joel and ethan coen is the primary individual the viewer lays eyes on in the movie. Bearded, his unkempt hair falling in his eyes, he choices out a few steely, blue notes on a guitar as he sings "hold me, oh hang me," now not to be harassed with "dang me." "wouldn't thoughts the hangin', except for layin' inside the grave so long," he sings, with a good amount of sincerity. The time is 1961, the area is new york town, and the venue where llewyn—portrayed with haunting conviction through oscar isaac, who, like each person else within the forged, does his very own singing and gambling—is selecting and now not grinning is the gaslight, a soon-to-be-legendary landmark within the "people revival."

Llewyn, as gifted as he's, does now not look to be one among that revival's destiny achievement memories. Why? For one component, he is the protagonist of a coen brothers movie. For any other, after he finishes his tune, the place's glib, slick, runty proprietor pappi, directs llewyn out of doors to look a "friend" who is been inquiring for him. Outside llewyn reveals no pal, but as a substitute a suitable, fedora-sporting stranger who exchanges a few words with the singer earlier than flippantly kicking and punching the daylights out of him.

And then llewyn wakes up. And there is simply the most cute orange cat staring him in the face.

"inner llewyn davis" is the most satisfyingly diabolical cinematic shape that the coens have ever contrived, and that is simply one reason that i think it could be their pleasant film yet. How llewyn inadvertently inherits, loses, then re-reveals, and kind of adopts, the aforementioned cat is one of the extra concerned traps of the movie's plot, which might also make the wary viewer, or the all-around anti-coenite, suspect that that is a few kind of exercise in auteurial sadism, a charge the brothers themselves laid themselves open to when they admitted that in concocting 2009's top notch "a severe guy" they thoroughly loved torturing their lead person.

This film—that can reasonably be defined as feeling like a '70s wim wenders photo scripted by billy wilder and/or preston sturges from a tale with the aid of terry southern—is extraordinary. Yes, llewyn is an incorrigible screw-up, having, among other matters, impregnated a friend who also takes place to be the spouse of another pal, two halves of the very palatable-to-the-mainstream female/male making a song duo jean and jim (carey mulligan and justin timberlake). He's sort of difficult to like, given his surly defensiveness.

However this film doesn't supply the influence that he's someone his creators want to push round. Indeed, there's a feel of no longer-quite-grudging empathy going on right here. There's a scene early on in which llewyn's at the gaslight watching a brand new act, a now not-horrific but quite vanilla folkie named troy nelson (stark sands). Besides being an army man, he's also taking over couch space at llewyn's 2nd-favored crash pad. After his own music, troy invitations jean and jim as much as sing with him, and they do a nice version of "five hundred miles." llewyn does his level quality to enjoy them, however soon the target audience begins singing alongside, and llewyn furrows his brow a bit and looks behind him with wordless incredulity. The place he concept he understood, the location he thought he turned into a part of, is turning into alien to him. And he does not apprehend why.

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Well, he understands why a touch bit. Like every of his buddies inside the film, llewyn is mourning a loss, a loss that has made him a solo act, a solo act with a container of unsold statistics and no winter coat as the days grow darker and shorter the chip on his shoulder is a part of his new defense (who is aware of, perhaps it is no longer new; the movie is cannily selective approximately revealing its lower back story), but he nonetheless thinks he is were given some thing to prove. After defiantly telling his sister that, no, he won't be going again to the service provider marine for a stint at sea, he hastily joins—with cat in tow—a dyspeptic, shambling jazz musician and his doggerel-mumbling beatnik "valet" (john goodman and garrett hedlund, respectively) on an sick-fated street trip to chicago. It is a pilgrimage of kinds, to present himself to a reigning people impresario performed by using f. Murray abraham. Dryly noting the identify of llewyn's solo record, this man requests, "play me something from 'inner llewyn davis.'" and so llewyn does. In both senses of the term.

It's a devastating scene in a film complete of devastating scenes. And complete of quick, devastating observations. There may be a whole film in a single shot of llewyn's left foot, which he just inadvertently plunged into an ice puddle, slipping out of its loafer as he sits at a diner counter and attempts in vain to squeeze the freezing cold out of his soaked sock. The beautiful, cloud-gray and autumn-leaf ocher cinematography with the aid of bruno delbonnel does not just forged a temper, it conjures a style of life. Transferring, funny (however no longer frivolous; the characters never turn into cartoons), tremendous, it's a rib-sticking film that represents a new high for its creators.

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Review “singles” 1992

“singles” tells the tale of a loosely knit band of pals and neighbors who stay in an rental constructing in seattle, and dream of love. They are all in their 20s, and fairly appealing, and now not specially desperate, but they share a plight every you can actually discover with: the issue of locating a match among someone you want, and a person who likes you. It constantly appears exercise session that if one half of the equation is right, the alternative is incorrect.

One couple within the movie (campbell scott and kyra sedgwick) seem to be greater or much less proper for each other, however they play a dangerous game of one-upmanship, primarily based on delight. Which one will phone the opposite? How long should the opposite wait earlier than calling back? They may be thinking about each other so often, they nearly lose touch, due to the fact there may be always a point at which a non-back call stops being fascinating and becomes a rejection.

Another might-be couple (bridget fonda and matt dillon) seems absolutely wrong. He is a drummer in a rock band, and cultivates a intentionally laid-lower back indifference to girls in standard and fonda particularly. She of direction assumes the fault is all her personal. Visiting his condominium, she reveals pinups of busty girls. Is that what he likes? She visits a plastic physician, and within the film's funniest scene fights a duel with him over the image of her hypothetical new frame on his computer screen.

“singles” changed into written and directed by way of cameron crowe, who has explored this territory earlier than. He wrote the screenplay for “fast instances at ridgemont high,” not my favorite film, after which wrote and directed “say anything” (1989), which turned into one of the wisest and maximum touching films approximately teenagers i've seen. Now, shifting directly to the twentysomethings, he has followed a casual caricature fashion, in which scenes are separated by blackouts and the point of every episode is to expose a few side of human nature, generally one that makes us squirm.

The film will mission some audiences in reality because it isn't always a 1-2-three development of man or woman and plot. There may be no problem at the beginning and no solution at the stop; the film is ready a existence manner this is, by way of its very nature, inconclusive - the look for happiness. Crowe's insights into the material consist of one particular belief: on your 20s, you tend to spend extra time setting yourself on the map than disturbing approximately each person else's happiness. Have a look at the earnestness with which the scott individual promotes his concept for a seattle rapid-transit device. Does he trust in trains? Best to a degree. What he virtually believes in are his trains.

Next The 9 best music films of all time

The bridget fonda character, alternatively, does not price herself notably enough. You could see that once she considers plastic surgical treatment to please a guy who doesn't even like her in the first region.

She wants to be an architect, but for the instant is operating as a waitress. A wise guy once said: “what you do as opposed to your actual work . . . Is your real paintings.” some of crowe's sketches are pokes at easy targets, which include the ones videotape courting offerings wherein human beings advertise for companions. Sheila kelley plays a young woman who's consciously searching for an eligible guy; she knows in which they can be found, simply as a hunter is aware of which watering holes appeal to the lions. There may be a funny sequence in which she goes to a videographer (“batman” director tim burton) who will direct her within the kind of video that might possibly attract only the sort of man she should stay some distance faraway from.

“singles” isn't a amazing cutting-edge movie, and elements of it may be too whimsical and disorganized for audiences raised on reason-and-effect plots. But i discovered myself smiling plenty at some point of the film, on occasion with entertainment, on occasion with reputation. It is clean to like these characters, and care about them.

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The 9 best music films of all time

The 9 best music films of all time

1. The Wizard of Oz (1939): 

The story of Dorothy little girl in the land of Oz magic has made many generations of passionate viewers. Although the film is highly regarded for its shift to color, creative storytelling and a part of American popular culture, movie sales are not very good. The film received six Oscars, including the best feature film but lost to another classic, Gone With the Wind. But the song Over the Rainbow won the Best Song award.

2. Singing in the Rain (1952): 

Singing in the Rain was born under the direction of Gene Kelly and Stanley Donen. The film talked about the transformation of the Hollywood movie line, from silent movies to movies. Until now, this is still considered to be the best dance song. One scene reminds viewers that it was the male lead (played by Gene Kely) on the way home from her lover, who was so happy he threw the umbrella, drunk and danced under the rain. 

3. West Side Story (1961): 

The East Side Story, seen as the 20th century version of Romeo and Juliet, has led many generations to sob with classics such as Tonight, I Feel Pretty, Maria ... The film is based on the musical of the same name of the Broadway stage debut in 1957, adapted from the script of the composer Arthur Laurents, music of Leonard Bernstein. The lyrics alone are from the legendary composer Stephen Sondheim.

4. The Sound of Music (1965):

 The popular film was screened for Vietnamese audiences on the small screen titled Happy Tune. Movie script based on the memoir Maria Vontrapp - The story of the family singing Vontrapp. Many of the songs in the movie are classics such as Edelweiss, My Favorite Things, Ev'ry Mountain Climb, Do-Re-Mi, The Sound of Music ... This is also the last musical written by the gold duo. Rodgers and Hammerstein.

5. Mary Poppins (1964):

 In 1964, with Mary Poppins, Julie Andrews won the Oscar for Best Actress category, surpassing fellow heavyweight Audrey Hepburn in My Fair Lady. Disney's 13-year-old spell-casting franchise returns to the Oscars, a record that has since disappeared.

My Fair Lady follows in the footsteps of Eliza Doolittle, a florist who learns from Professor Henry Higgins, a determined man who turns her into a real lady. In particular, all three versions of the work on Broadway, London and on-screen are starring Rex Harrison. The film was critically acclaimed as a "perfect piece of dance music," and was the highlight of the late actress actress Audrey Hepburn.

6. Moulin Rouge! (2001): 

It was not until the early 21st century that American cinema witnessed the emergence of romantic dance music. The story of the young Christian poet and aunt Satine received eight Oscar nominations, including best feature film and best actress for actor Nicole Kidman. Although it is set in the past, but Moulin Rouge! The use of modern hits are adapted to the content of the story.

7. Chicago (2003): 

Chicago hip-hop artistry centers on Velma Kelly and Roxie Hart, two female prisoners trying to escape the death penalty. The film also depicts the depression in Chicago, as well as a star-studded cast including Catherine Zeta-Jones, Renée Zellweger and Richard Gere. Chicago won the Oscar in 2003 with six awards, including Best Feature Film.

Tim Burton once again reveals his multi-talents as he performs a dark-haired dance featuring Johnny Depp. plays the lead role. Based on Hugh Wheeler and Stephen Sondheim's Tony, the film tells the story of the serial killer Sweeney Todd along with her accomplice, Mrs. Sondheim. Lovett. Although Johnny Depp's voice has been criticized for being inappropriate, the film is still high on the block and holds the Golden Globe for Best Feature Film - Comedy or Musical. .

8. Sweeney Todd: The Demon Barber of Fleet Street (2007):

"Monster Director" Tim Burton once again shows his multi-talents as he performs the dark-haired, dark-haired Johnny Depp. Based on Hugh Wheeler and Stephen Sondheim's Tony, the film tells the story of the serial killer Sweeney Todd along with her accomplice, Mrs. Sondheim. Lovett. Although Johnny Depp's voice has been criticized for being inappropriate, the film is still high on the block and holds the Golden Globe for Best Feature Film - Comedy or Musical. .

9. Les Misérables (2012): 

After the success of The King's Speech in 2010, director Tom Hooper decided to try the dance music genre when transforming the famous miserable to the screen. Derived from the classic novel by Victor Hugo, the film tells the story of different classes of people, class distinctions, the decay of the regime makes people live in hardship, suffer government chase. In the end, it all led to a climactic revolution with the goal of overthrowing the government in Paris, France.

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